Showing posts with label Death Rock. Show all posts
Showing posts with label Death Rock. Show all posts

Wednesday, 28 August 2019

Specimen Become Americanized! Ollie Wisdom Talks About The Shake-Up Of Death Rock's Most Glamorous Group.

Published in Rave-Up #11 (1986)
By Devorah Ostrov

Specimen - San Francisco lineup circa 1985
L-R: Kimba, Ollie Wisdom, Smeg, Tim Huthert & Gere Fennelly
(photographer unknown)
The original Specimen was formed some years ago in England. Looking like rejects from a less than B-grade horror movie, they made a name for themselves amongst fashion conscious UK club-goers. And between their image, their records, and their club (The Batcave), they gave the music press (who labeled the innovative new scene "Death Rock") plenty to write about.

When things got beyond their control, lead singer and mastermind Ollie Wisdom moved operations to San Francisco. Since all the other British members chose to stay in London, Ollie reconstructed the band with musicians from the Bay Area: Gere Fennelly on keyboards, Smeg on guitar, Kimba on bass, and Jeffrey St. Pierre (who recently replaced Tim Huthert) on drums. Once again, Specimen is going full force!

* * *

"Indestructable" b/w "Brainburst!" picture sleeve 45
(Rampant Records 1986)
Ollie Wisdom's flat resembles a Specimen show. Multi-colored crepe paper and plastic beads dangle from the ceiling; various parts of baby dolls are strewn about the floor. As we make ourselves comfy amid the rubble, Ollie switches on the tape player and the final mix of the new Specimen demo blasts forth...

Ollie: We're doing four singles right now. The first is "Indestructable"/"Brainburst!" The other songs on the tape are "Pink and Perfect," "Red Velvet Crush on You," and "Miss You" — which is the ballady one. We're also making a film for it. When 
we finish the record, we'll edit the film to it, and it should be shown on MTV. We've also got alternative videos, in which we've been doing animation and stuff, which will go out to the clubs.

Rave-Up: Are you producing the record yourself?

Ollie: Yeah, I've done all the production on it and written all the songs for it. And it's come out great! I'm really pleased with it. I've never had the chance to do that in the studio before.

Rave-Up: The previous Specimen records were all done by producers telling you what to do?

Flyer for Specimen at Perkins Palace
March 3, 1984
Ollie: Very much so! It was a very necessary thing to go through, as well. When you first get let loose in a 24-track recording studio, which costs like $70 an hour, you've got to have some idea of what you're going for. Without what I learnt from past experiences, good and bad, I couldn't have done it.

Rave-Up: Is it because you're producing it yourself that the songs sound poppier?

Ollie: I don't know if it sounds poppier. It's not so guitar-oriented; it's more song-oriented. The songs I played you are most likely going to be the singles, so they're the more poppy of the songs anyway.

Rave-Up: What made you move to San Francisco? Were you bored with London?

Ollie: Yeah, I was really bored. There's nothing happening in London at the moment. Everybody just tries to make out like there is.

Rave-Up: Why San Francisco over anywhere else?

Ollie: I would never even consider living in Los Angeles. New York presents a whole load of problems that San Francisco doesn't. And San Francisco's got sunshine. Unfortunately, the process of moving split the band up somewhat.

Rave-Up: You mean like all the original band members are still over there, and you're over here?

Specimen - San Francisco lineup circa 1986
L-R: Jeffrey St. Pierre, Smeg, Ollie Wisdom, Kimba, Gere Fennelly
Ollie: But they're all over there not doing very much, unfortunately.

Rave-Up: So, what happened?

Ollie: Well, we had just issued an EP ["Sharp Teeth"] on a brand-new label [The Trust] in England. We'd spent a year getting out of our London Records deal; we wouldn't let them make us into the pop band they wanted us to be. And I said, "Look, I'm not going to do an album with Trust," which is what they wanted us to do. Other people wanted to go for it. They said, "Stay here and do this album." I said, "If that's what you want, keep it." I don't regret it in the slightest.

Rave-Up: Did you think about not calling the new group Specimen?

Ollie: It had occurred to me to change the name of the band, but I didn't see much point. When the original Specimen played Perkins Palace in LA, Jon [Klein, guitarist] and I went out to do a radio interview just after the soundcheck. There was a queue right around the block. We walked right past this whole lot — not one person recognized us!
     I figure that they still don't really know the difference. You've got to use whatever you have to your advantage. There's no point in cutting your wrists for integrity's sake.

Rave-Up: Don't you think it's superficial for your fans not to notice the difference?

Ollie: No, not if they come to enjoy the show anyway. The people that really got into us early on, they know the difference. Some of them whisper, "It's not the same band..." Of course, we're not the same band. We're not trying to be the same band. But it doesn't stop it from being a lot of fun!

Rave-Up: The personalities of the new band members must be vastly different from the old members. Are American musicians easier to work with?

Ollie Wisdom
(photographer unknown)
Ollie: In some ways. I find that Americans are a bit more open to suggestion and a bit more excitable when something excites them. The British have seen it all before, or think they have, so they're not going to appear to be excited, even if they are.

Rave-Up: I wonder how the new members feel stepping into a sort of inherited image? What people expect Specimen to be as opposed to what they are...

Ollie: But you see, it's not like they have to step into something. They've just got to be themselves. If they tried to step into something, it would look really awkward. Because they're the right people for the job, so to speak, there's no transformation needed.

Rave-Up: I always saw Specimen as a fun, almost cartoonish group. But the British press always wrote about you guys as the leaders of the death-rock scene, which made you sound a bit doomy and dark.

Ollie: Yes, well, you saw much more what it was. People just took the name, The Batcave, and misconstrued it. It was never serious. It was never an "Oh, we're death-rock" kind of thing.

Rave-Up: Do you resent having your creative, fun ideas turned into what the press wanted you to be?

Ollie: No, not really. I mean, you don't think about it. You just carry on and try to put a few people right along the way.

Rave-Up: Have you thought about doing a club here, along the lines of The Batcave?

Poster for the 25th-anniversary 
celebration of the London Batcave
July 11, 2008
Ollie: I don't want to do anything as regular as a nightclub. It's something I could always fall back on if I need the money! But no, I don't really want to. The Batcave was great. Let it rest in peace.

Rave-Up: One last question, did you have any trouble getting through immigration? Or did you try to look "normal"?

Ollie: Even when I try to look normal, I don't! But I have a "gimp" outfit — it's my disguise to get past immigration. It consists of a pair of corduroy trousers, a little jacket, tennis shoes, a beige shirt, no nail varnish, no make-up at all, no jewelry. No "un-manly" things in my suitcase. It's such a performance, but it worked!  

Rave-Up: What if someone had recognized you?

Ollie: Even you wouldn't recognize me!

Thursday, 11 April 2019

Sex Gang Children: A Cup Of Tea & A Chat With Andi Sex Gang

Originally published in Rave-Up #10 (1985)
Interview by Devorah Ostrov & Sara Brinker
Photos by Devorah Ostrov

Sex Gang Children at the time of this interview.
L-R: Kevin, Andi, Cam & Terry
Photo: Devorah Ostrov
Andi Sex Gang is soooo nice! How nice is he? Not only did he sneak two fanzine journalists into Sex Gang Children's London Lyceum show last summer (along with several other kids waiting expectantly outside the backstage entrance), but he also found relatively comfortable hiding places for everyone, and mapped an escape route for us into the main hall. Our hero!

A couple of days later, Sara and I "bumped into" Andi again (some might say we'd been stalking him for hours!) on Carnaby Street, and he invited us round to his place for a cup of tea. He's polite as well as nice! We swooned while he spoke of Édith Piaf and old movies, and while we waited for the rest of the group to turn up for rehearsal, we asked Andi a few questions.

My photo of Andi was used in
the 2007 Cherry Red reissue of Blind!
Rave-Up: We really admire Sex Gang Children's attitude towards the fans that come to see you. Is it important to you to take care of your fans?

Andi: That's human nature. You're either a cunt or you're not. It's not a selling point of the band. Our selling point is our music, the live shows, and our records.

Rave-Up: Sex Gang Children tends to be categorized as a doom and gloom/ gothic/death rock band. Do you ever feel a bit trapped by the cult following for that genre of music?

Andi: It's not a matter of being trapped so much by a cult following... I think most of our followers are basically big fans and have great faith in the band. You just want to be able to prove to everyone that you're not as limited a band as everyone thinks you are.

Rave-Up: There seems to be a great desire in the music press to limit you and label you.

Andi: There is. It gives you a feeling of being picked apart and exposed. It can make you feel incredibly naked.

Rave-Up: From some previous conversations we've had, you guys seem to be great fans of a variety of music and still able to get excited over other people's work.

Kevin Matthews & Cam Campbell
Photo: Devorah Ostrov
Andi: Yeah, it's true! We are fans of music and excited about what we do, excited about the people and the things in life. I'm excited by the fact that Steven Spielberg is in the position to do what he wants to do, and at the same time, he's offering entertainment for millions of people. That's brilliant! It gives us faith.

Rave-Up: Who are your heroes?

Andi: I like a lot of film stars — Buster Keaton, Charlie Chaplin, Robert De Niro. I like Divine as well; he's a person of incredible style. I like the real stars, old film greats. They have no grand illusions about themselves.
   You know who I really like and admire? Billy Joel! He doesn't go around saying, "I've got an image." Or "I'm a Batcave artist." He doesn't need to sell himself with cheap slogans. He says it all with his music.

Rave-Up: Are you guys working on any videos?

Andi: We did a video for the Édith Piaf song ["Les Amants D'un Jour"]. Graham Bentley, who does our lights and works with us behind the scenes, set up an appointment with Radio Luxembourg because they were greatly interested in us and they had a European cable network. We went up to Northampton, chose a location, and made a video on the spur of the moment. Then we stayed up for four nights editing and sussing things out. We went back to London, went to Radio Luxembourg, and the video was flown out to their cable network in Europe to show that very night.

Andi proves he loves Billy Joel by posing with one of his albums.
Photo: Devorah Ostrov
Rave-Up: Is it true that you finance everything yourselves?

Andi: Everything we do is self-financed. We keep everything to a minimum. We have to!

Rave-Up: So, you don't need the limos or the big hotel rooms?

Andi Sex Gang & Terry MacLeay
Photo: Devorah Ostrov
Andi: No, we aren't spoiled by the money. 
   I remember the first time we got involved in a huge festival [Futurama 4, 1982]… 
   We drove up there in a shitty old van that leaked, and we were hungry, and we just jumped onstage. We showed them the best of ourselves, while everyone else had this complacent attitude. 
   It was supposed to be the festival of the year. When we got there, we had never seen such a lethargic atmosphere. Everyone was just waiting for something to happen.

Rave-Up: Nothing was happening, so you made it happen!

Andi: Yeah... That sounds like such a cheap thing to say, but it's true! We blew a lot of bands off the stage. In fact, the only two bands that stood out that night were us and Southern Death Cult. Everyone else just went through the motions. We were the only two bands that gave it something!✨